Updating classical techniques

As much as I enjoy painting classical still lifes, I strive to give them a contemporary touch. For instance, in the 17th century, the interior of houses were dark because of all the wood paneling on the walls and the small windows. That's often reflected in the still lifes of the time, particularly in the dark brown colour schemes and sparse lighting. But I want my still lifes to he fresh, full of life and light, with vivid colours I want them to be alive, to show that simple things in life have a right to exist, too. As such, I use many of the best classical techniques but with a modern day spin.

Subject matter - Learning from Kalf

One historical painter I greatly admire, and have emulated in my own work, is Willem Kalf, who was a complete master of truly exquisite still lifes. Not much is known of him, but the few remaining works are more than superior. Many painters of his time were commissioned to paint still lifes for the Dutch bourgeoisie who wanted to show the riches they possessed. Willem Kalf did this with great gusto and flourish but his greatest pleasure was obviously in painting the ordinary, which is an approach I use. I typically pick common objects that have been well used. Because I pick present day objects, preferably those that have a personality of their own, my paintings look current.